My favorite subjects have always been those that have a more universalistic scope - time and space, mysticism and reality, creativity and freedom, truth and artifice, ¬| - both because they are natural questions to the act of painting themselves, and because they are more appropriate to the characteristics of synthesis of the image. I have been sending to the painting, as a projection of itself, the illustration and the fruition of those themes in different genres. I have designated as í ¢, ¬Å "Alegoríasí ¢, ¬ï † to the period between 1989 and 2000 (past, symbolism, mysticism and dogmatism), and as í ¢, ¬Å "Temporary filesí ¢, ¬ï † and í ¢, ¬Å" Wallpapersí ¢, ¬ï † to the space between 2000 and 2008 (present, transience, illusion and desire). In work - í ¢, ¬Å "Common places, ¬ï † (future, utopia, creativity and intuition) - mechanisms of cause and consequence predominate. immediatist attitude of informalist inspiration, that p or processes of dilution and desiccation, lead to a result gradually revealed and intuitively admitted. It is a reflection on the limits of nature, presented as an illustration of the creative process in a utopia of holistic contours.